Master's degree Music and Music Technology
Entry requirements
High school diploma plus 180 higher education credits or equivalent. A Licence degree in music or arts, a diploma from a conservatory equivalent to a Licence, or another Master’s degree in a similar field. Students must already have an existing musical and/or sound art practice.
Benefits of the program
Students determine their specialisation through their choice of units out of the four options. The course involves a number of projects, to allow students to establish a clearly identified skill set and involve themselves heavily in research and creation. Many partnerships have been forged, at the regional level (conservatories, concert halls), national level (INA GRM, École des Beaux-Arts de Bourges, IRCAM, CDMC, companies, etc.) and international level (UK, USA, Canada, etc.), to allow students to build their network in the fields of contemporary musical research and digital creation.
Acquired skills
Consolidate knowledge of history, theory and practice of music technology, musicology, musical composition and digital art, in relation with other forms of art and literature. Understand and use digital and computational approaches to resolve musical problems. Promote an analytical and critical perspective of their history and aesthetic evolution. Understand the complex interactions between this history and the evolution of science and technology. Adopt a practical and creative approach that draws on relevant technological tools. Prepare future candidates for PhDs in modern research in the field of music technology.
International
Students are strongly encouraged to undertake Erasmus, Micefa, BCI and other exchange programmes. Special agreements have been established with Valencia Conservatory (Spain), NOVA University Lisbon (Portugal), Montfort University (Great Britain), Université du Québec à Chicoutimi (Canada), and Université Laval (Canada).
Capacities
25
Course venue
Your future career
Job opportunities: music and sound professions, programmer and developer using music technology, sound engineer, artistic director, music and audio technology expert, team leader in audio engineering or music technology, music consultant for film and television, sound designer, composer of instrumental, computer or electroacoustic music, session musician for film, composer, sound technician, sound mixer, digital artist and website creator, music teacher, audiovisual and sound researcher, critic. Teaching, research.
Professional integration
The employment rate 18 months post-graduation is excellent, over 85% since 2006. Graduates find jobs in the music industry, including: Sound technician and sound mixer L1508.
Artistic director, composer or musician L1202.
Development and study of music technology M1805
Producer and administrator for music, performing arts, cinema and audiovisual productions (musical director, artistic programme director, post-production manager, etc.) L1302
Information systems director (specialised in music) M1803
Study objectives
The research Master’s in Music and Music Technology offers in-depth training in theory and practice in the fields of contemporary music and related technology. The programme is balanced between theory and analysis of music technology, history and analysis of music, aesthetics, theory and history of musical composition and digital art. These theoretical concepts are developed in practical production workshops, specific to each of the four programmes in the Master’s. It is complemented by the core Arts, Humanities and Civilisations modules, modern language classes, general and discipline-specific methodology, an optional work placement and a research or research/creation thesis, combining a practical/creative dimension with technical, theoretical, aesthetic and historic research.
Major thematics of study
Key words: Music, technology, musical analysis, aesthetics, musical composition, electroacoustic music, sound art, digital technology, digital art, music for film and television, interactivity.
Calendar
Classes and exams take place from September to July. Optional work placements must take place outside of class periods (during holidays).
Options
Student choose two units from the following four: Music technology, musicology, musical composition and digital art. In semesters 1 and 3, they must also choose a free unit from the list of units offered across all the courses in Arts, Humanities and Civilisations.
Back-to-school date
09-16-2024
Semester 1
Courses | ECTS | CM | TD | TP |
---|---|---|---|---|
Connaitre les arts. lettres. langues et civilisations | 4 | |||
UE11 TRONC COMMUN ALC 1
| 4 | |||
APPROCHES CULTURELLES ALC 1
Approches culturelles de deux spécialités des masters ALC
Teaching language FRANÇAIS / FRENCH | 2 | 20h | ||
METHODOLOGIE GENERALE 1
Méthodologie générale ALC
Teaching language FRANÇAIS / FRENCH | 2 | 20h | ||
Approfondir ses compétences disciplinaires | 32 | |||
UE 12 Musicologie 1
Musicology
Teaching language FRANÇAIS / FRENCH | 8 | 20h | 20h | |
UE 13 INFORMATIQUE MUSICALE 1
Theory and practice of computer music
Teaching language FRANÇAIS / FRENCH | 8 | 20h | 20h | |
UE 14 Composition 1
Theory and practice of music composition
Teaching language FRANÇAIS / FRENCH | 8 | 20h | 20h | |
UE 15 ARTS NUMERIQUES 1
Theory and practice of computer arts
Teaching language FRANÇAIS / FRENCH | 8 | 20h | 20h | |
Construire son projet professionnel | 2 | |||
UE 16 Professionnalisation 1
| 2 | |||
Anglais de spécialité 1
Anglais de spécialité
Teaching language ANGLAIS / ENGLISH | 2 | 20h |
Semester 2
Courses | ECTS | CM | TD | TP |
---|---|---|---|---|
Connaitre les arts. lettres. langues et civilisations | 2 | |||
UE21 TRONC COMMUN ALC 2
| 2 | |||
APPROCHES CULTURELLES ALC 2
Approches culturelles de deux spécialités des masters ALC
Teaching language FRANÇAIS / FRENCH | 1 | 20h | ||
METHODOLOGIE GENERALE 2
Méthodologie générale ALC
Teaching language FRANÇAIS / FRENCH | 1 | 20h | ||
Approfondir ses compétences disciplinaires | 24 | |||
UE 22 Musicologie 2
Musicology
Teaching language FRANÇAIS / FRENCH | 6 | 20h | 20h | |
UE 23 Informatique Musicale 2
Theory and practice of computer music
Teaching language FRANÇAIS / FRENCH | 6 | 20h | 20h | |
UE 24 Composition 2
Theory and practice of music composition
Teaching language FRANÇAIS / FRENCH | 6 | 20h | 20h | |
UE 25 ARTS NUMERIQUES 2
Theory and practice of computer arts
Teaching language FRANÇAIS / FRENCH | 6 | 20h | 20h | |
Construire son projet professionnel | 2 | |||
UE 26 Professionnalisation 2
| 2 | |||
Anglais de spécialité 2
Anglais de spécialité
Teaching language ANGLAIS / ENGLISH | 2 | 20h | ||
OUVERTURE 1 : AU CHOIX PARMI COURS/SEMINAIRES ALLC
Ouverture vers d'autres spécialités de la mention ALC
Teaching language FRANÇAIS / FRENCH | 1 | 20h | ||
Se former a la recherche | 8 | |||
UE 27 MEMOIRE ET METHODOLOGIE obligatoires et stage facultatif
Written thesis and methodology
Teaching language FRANÇAIS / FRENCH | 6 | 20h | ||
UE 28 SEMINAIRE de Recherche
Research Seminar
Teaching language FRANÇAIS / FRENCH | 2 | 20h |
Semester 3
Courses | ECTS | CM | TD | TP |
---|---|---|---|---|
Connaitre les arts. lettres. langues et civilisations | 1 | |||
UE31 TRONC COMMUN ALC 13
| 1 | |||
APPROCHES CULTURELLES ALC 3
Approches culturelles de deux spécialités des masters ALC
Teaching language FRANÇAIS / FRENCH | 1 | 20h | ||
Approfondir ses compétences disciplinaires | 36 | |||
UE 32 Musicologie 3
Musicology
Teaching language FRANÇAIS / FRENCH | 9 | 20h | 20h | |
UE 33 Informatique Musicale 3
Theory and practice of computer music
Teaching language FRANÇAIS / FRENCH | 9 | 20h | 20h | |
UE 34 Composition 3
Theory and practice of music composition
Teaching language FRANÇAIS / FRENCH | 9 | 20h | 20h | |
UE 35 ARTS NUMERIQUES 3
Theory and practice of computer arts
Teaching language FRANÇAIS / FRENCH | 9 | 20h | 20h | |
Construire son projet professionnel | ||||
UE 36 PROFESSIONNALISATION 1
| ||||
ANGLAIS DE SPECIALITE 3
Anglais de spécialité
Teaching language ANGLAIS / ENGLISH | 2 | 20h |
Semester 4
Courses | ECTS | CM | TD | TP |
---|---|---|---|---|
Connaitre les arts. lettres. langues et civilisations | 1 | |||
UE41 TRONC COMMUN ALC 4
| 1 | |||
APPROCHES CULTURELLES ALC 4
Approches culturelles de deux spécialités des masters ALC
Teaching language FRANÇAIS / FRENCH | 1 | 20h | ||
Approfondir ses compétences disciplinaires | 24 | |||
UE 42 MUSICOLOGIE 2
Musicology
Teaching language FRANÇAIS / FRENCH | 6 | 20h | 20h | |
UE 43 Informatique Musicale 4
Theory and practice of computer music
Teaching language FRANÇAIS / FRENCH | 6 | 20h | 20h | |
UE 4 COMPOSITION 4
Theory and practice of music composition
Teaching language FRANÇAIS / FRENCH | 6 | 20h | 20h | |
UE 45 ARTS NUMERIQUES 4
Theory and practice of computer arts
Teaching language FRANÇAIS / FRENCH | 6 | 20h | 20h | |
Construire son projet professionnel | 2 | |||
UE 46 PROFESSIONNALISATION 2
| 2 | |||
ANGLAIS DE SPECIALITE 4
Anglais de spécialité
Teaching language ANGLAIS / ENGLISH | 1 | 20h | ||
OUVERTURE 2 : AU CHOIX PARMI COURS/SEMINAIRES ALC
Ouverture vers d'autres spécialités de la mention ALC
Teaching language FRANÇAIS / FRENCH | 1 | 20h | ||
Se former à la recherche | 9 | |||
UE 48 MEMOIRE ET METHODO obligatoires, stage facultatif
Written thesis and methodology
Teaching language FRANÇAIS / FRENCH | 8 | 20h | ||
UE 48 SEMINAIRE de Recherche
Research Seminar
Teaching language FRANÇAIS / FRENCH | 1 | 20h |
DAHAN Kevin
RENOUX Corinne
Partners
CDMC, Muse en Circuit, Ircam, Ecole des Beaux-Arts de Bourges, Conservatoire de Strasbourg, Conservatoire de Noisiel, Conservatoire de Bagnolet.